The God of Good Looks
The God of Good Looks
by Breanne Mc Ivor
Most Anticipated by Oprah Daily, Good Housekeeping, and Zibby Mag!
Combining the honesty, warmth, and humor of Queenie and a modern-day Bridget Jones’s Diary, this entertaining, transportive, and luminous debut novel from award-winning writer Breanne Mc Ivor follows a young Trinidadian woman finding her voice and a new kind of happy ending.
"Phenomenal! A book worthy of a standing ovation. I will never forget how this novel made me feel. It's effortlessly beautiful."—Lizzie Damilola Blackburn, author of Yinka, Where is your Huzband?
Bianca Bridge has always dreamt of becoming a writer. But Trinidadian society can be unforgiving, and having an affair with a married government official is a sure-fire way to ruin your prospects. So when Obadiah Cortland, a notoriously tyrannical entrepreneur in the island’s beauty scene, offers her a job, Bianca accepts, realizing that working on his magazine is the closest to her dreams she’ll get.
As Bianca begins to embrace her power and creative voice, she starts to suspect Obadiah is not the elite tyrant he seems. She’s right. Born in one of the poorest parts of Trinidad, Obadiah has clawed partway up society’s ladder and built his company around his meticulously crafted persona. Now, he’s not about to let anyone, especially Bianca, see past his façade.
When Bianca’s ex-lover threatens everything she’s rebuilt, jeopardizing all she’s come to love about her new life, she’s surprised to find support from the most unlikely ally and, finally, draws the strength to fight back like her mother taught her.
Sharp-witted and fiercely fun, The God of Good Looks alternates between Bianca’s diary entries and Obadiah’s first-person narrative to portray modern Trinidad’s rigid class barriers and the fraught impact of beauty commodification in a patriarchal society. Boisterous, moving, and full of meaty, universally relatable questions, Mc Ivor’s sparkling debut is an open-hearted, awakening tale about prejudice and pride, the masks we wear, and what we can become if we dare to take them off.